It’s incredibly right: Ana and Christian stay glued to maximally old-fashioned variations of femininity and masculinity. If any such thing, the books embrace a light, bro-y homophobia, by which hugs between dudes and mild jokes about gay sex are acclimatized to tension that is diffuse. It is additionally sturdily center- to upper-class: Christian has an Audi R8 Spyder and wears Ray-Bans; Ana gets a Mac laptop computer and wears Louboutins. Only a few the figures cast when you look at the Fifty Shades film are white, nevertheless the the greater part are; the key non-white character is Jose, Ana’s buddy, who may have a crush on her behalf and ultimately ends up being a little bit of a intimate predator.
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